ALBION 3 – APOCALYPTIC LOW END, CONSISTING OF THE LARGEST EVER CELLI, BASS, BRASS AND WOODWIND SECTIONS FOR A COMMERCIAL LIBRARY. AS WITH ALL ALBIONS IT DOESN’T STOP THERE, ICENI IS AN ATHOLOGY THAT CELEBRATES LOW END. IF HYBRID ORCHESTRAL IS YOUR THING, MIXING IT UP WITH DUBSTEP AND DRUM AND BASS, YOU NEED TO PUT THE KEYS INTO THE LOCK OF THIS MONSTER!
THIS LIBRARY IS A FREE “KONTAKT PLAYER” LIBRARY AND REQUIRES NO FURTHER PURCHASES TO OPERATE TO ITS FULL POTENTIAL.
CINEMATIC LOW-END APOCALYPSE
WHERE ORCHESTRAL EPIC DINES OUT WITH THE ROUGHEST FILTHIEST DUBSTEP AND GRIME.
Where Albion I was a set of broad cinematic aerosol cans, Albion – Volume II – Loegria a finer set of detailed sable brushes. Albion III Iceni is a cricket bat, a mace, a large trunk of blunt tree to bludgeon to death any track or cue it comes near.
Iceni is an investigation into low end, thundering enormity, horrifying rasp and obliterating distortion.
Our most expensive commercial venture to-date was recorded to tape via the rarest set of valve and ribbon mics in the hall at Air Lyndhurst, one of the greatest recording studios in the world (Batman Returns, Gladiator, Bourne Ultimatum, Harry Potter, Hunger Games).
The orchestral tool-set is primitively simple and effective; longs, legatos, shorts, with some of the most mind boggling FX in the brass and woods. They’re designed for anyone to use regardless of their experience or understanding of orchestral disciplines and is scaleable on a variety of systems. This is a must-have library whether you’re writing trailers, computer games, TV or film drama or need the new tool for the next generation of Dubstep, Breakbeat, Crunk or Grime.
All new recordings to add to this thunderous series. The largest and lowest sets of drums available for use in London, including rare British marching toms. Played by the leader and members of the Olympic opening ceremony’s drum corps.
Derived from the orchestral sessions, combined with filthy analogue gear from the 60s and 70s (including processors owned and used by Jimi Hendrix). Stephenson’s III is the lowest and rudest selection of “synth” patches in the range. Ideal for room shuddering full bandwidth bass with contemporary vowel and notch filters for that orchestral BWOAR BWOAR BWOAR!
The largest, assembled world-class, low-end orchestra for a commercial sample project to-date.
The English Session Orchestra just got very very fat and very very frightening:
Winds: 2 contra bassoons, 2 contrabass clarinets, heckelphone, 2 bassoons, 2 bass clarinets, 1 bass saxophone.
Brass: 2 tubas, 2 cimbassi, 2 contra bass bones, 3 bass bones.
Strings: 0,0,0,24,8 Yes….. that’s no violins, no violas, but 24 ‘Celli, and 8 Basses. Recorded both tutti and in two ‘Celli sections with the ‘Celli split into two on either side of the room with the Basses in the middle. It simply has to be heard to be believed.
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